$70.00
Vista
Andy says: "I wrote most of 'Vista' while on a summer vacation with my family near Banff Alberta, and I'm sure the breath-taking mountain scenery had an affect on the outcome. Overall I was going for a feeling of space or openness with this composition. The 6/8 feel with eighth notes grouped in two's is obviously African-influenced, and was in fact inspired by a piece from Mauritius that I happened to hear on the radio."
Other Features:
- Solo space for baritone sax and drums
- 6/8 feel and 3/4 feel
$60.00
Tumbadora
Maria says: " Tumbadora is a salsa tune I wrote inspired by the role of the congas in Latin music. The feel and rhythms are reminiscent of the sound of the Latin ensembles I enjoy listening to. There is also a heavy influence of the piano in this arrangement which gives the piano player in your band an opportunity to be featured throughout as well as in an improvised section. at letter D."
Other features
- Lead Trumpet to high C
- Lead Trombone to high B
- Percussion section solos
- Improvised piano solo
$60.00
Sol Fiesta
Maria says: "This upbeat Latin song was created around the bass line, which was derived from a phrase my friend said in class one day. The arrangement gives each section of the band a chance to shine. There are some classic Latin syncopated rhythms throughout the arrangement and some challenging and fun brass parts."
Other features;
- Lead trumpet to high C
- Lead trombone to high C
- Syncopated Latin rhythms
- Improvised piano solo
- Drum set solo
$70.00
Funk Out
Michael says: "Funk Out is fun tune based on the early funk sounds of the 1960’s and ‘70’s. It features the lead alto sax in the rubato ballad opening section and gives the lead alto the opportunity to improvise over the chord changes at letter D. Check out the challenging syncopated sections which feature the horns trading rhythms reminiscent of Tower of Power."
Other features:
- Lead trumpet to high D
- Alto sax feature
- Challenging horn sectional parts
$40.00
Red River Mud Pie
Andy Says: "The tune is essentially a long-form blues in F with a clapping 'breakdown' section followed by a more rock-oriented section in G for your guitar player to solo on before the melody is restated in a D.S. al fine. I’ll admit the feel on the guitar solo is closer to Magic Bus by “The Who” than a real Mississippi blues!"
Other features:
- Clapping parts for horns
- Easy trombone parts
- Strong bari sax part
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